

Constructed Identity
In the age of digital perfection, identity becomes a construct. Bodies are edited, curated, and reshaped to fit an ever-changing visual standard. What we present is no longer who we are, but what is expected. The silhouette becomes a tool of control — hiding imperfections, exaggerating ideals, and ultimately replacing the human presence. This project explores the tension between authenticity and construction, questioning whether anything real remains beneath the surface.
PHOTOGRAPHY ALINA RIABENKO
STYLING YULIIA ROMANETS
MODEL JUL DOWERK FROM FIRSTLINE MODEL MANAGEMENT
HAIR & MAKE-UP EVGENIYA YANYSHEVA
PHOTOGRAPHY ASSISTANT LISA VLASENKO
STYLING ASSISTANT MARIYA
WEARING BOTTEGA VENETA, CHANEL, ALEKSANDRE AKHALKATSISHVILI, SAINT LAURENT, RITUAL UNIONS, STEIGLEDER, WHITE PETAL, JULES SCHLAICHT, GINA MELOSI, CHUY PROJECT, MOULHAM OBID






















Constructed Identity
In the age of digital perfection, identity becomes a construct. Bodies are edited, curated, and reshaped to fit an ever-changing visual standard. What we present is no longer who we are, but what is expected. The silhouette becomes a tool of control — hiding imperfections, exaggerating ideals, and ultimately replacing the human presence. This project explores the tension between authenticity and construction, questioning whether anything real remains beneath the surface.
PHOTOGRAPHY ALINA RIABENKO
STYLING YULIIA ROMANETS
MODEL JUL DOWERK FROM FIRSTLINE MODEL MANAGEMENT
HAIR & MAKE-UP EVGENIYA YANYSHEVA
PHOTOGRAPHY ASSISTANT LISA VLASENKO
STYLING ASSISTANT MARIYA
WEARING BOTTEGA VENETA, CHANEL, SAINT LAURENT, ALEKSANDRE AKHALKATSISHVILI, RITUAL UNIONS, STEIGLEDER, WHITE PETAL, JULES SCHLAICHT, GINA MELOSI, CHUY PROJECT, MOULHAM OBID





















